It currently retails for $899 and comes in two colors - Aged Vintage Sunburst and Aged Natural Antique. As of 2020, Epiphone released a new "Inspired by Gibson" model of the J-200, which brings the character and specifications of the Gibson model to a wider market. The guitars came as part of several new launches from Epiphone.
#GIBSON J 200 STUDIO VS STANDARD SERIES#
Gibson's brand, Epiphone, produces a more affordable version of the J-200. Epiphone’s Inspired By Gibson series has expanded to the realm of acoustics with the launch of the Hummingbird, J-45 and J-200.Like the Les Paul and SG models that launched the series, these aim to stay as true to their original forebears as possible. But Gibson has so many flippin' variations out there it is hard to tell what is what these days. A foward shifted, wide angle Double X Bracing - not the dreaded Norlin Double X bracing but a second brace just under where the board ends).
![gibson j 200 studio vs standard gibson j 200 studio vs standard](https://www.lauda-audio.pl/__files/_produkty/12615/gibson-j-200-standard-vs_1600x1600_10664.jpg)
Gibson also does limited run models, such as the J-200 Koa, the J-200 Trophy, and Montana Gold. The J-200 should have bracing unique to that model. The SJ-200 Custom is a high-end model, featuring rosewood back and sides (like the original SJ-200s from the 1930s), a rosewood fingerboard and bridge, gold hardware, Grover Imperial tuners, LR Baggs electronics, an upgraded case, the same three-piece neck as the Standard and Studio, abalone inlays, an engraved pickguard, an older, script-style Gibson logo, and a 'four ribbon bridge' instead of the Standard's 'two ribbon' bridge.Īlong with these three are two reissues, the True Vintage (based on the 1950s construction) and the Western Classic Prewar 200, which is similar in specifications to the original early models (rosewood back and sides, ebony fingerboard, block inlays). It also has a rosewood fingerboard and bridge, an engraved pickguard, and mother-of-pearl crown inlays. The SJ-200 Standard is available in sunburst and natural, featuring LR Baggs electronics, gold hardware, Grover tuners, figured maple back and sides and a three-piece laminate neck (maple/rosewood/maple). The SJ-200 Studio is the lowest model in the line, featuring walnut rather than maple back and sides, chrome hardware, a plain pickguard, natural finish and no fingerboard binding, but it retains the inlays and electronics of the SJ-200 Standard. Gibson currently makes many variations of the J-200. Utilizing our Advanced Response neck profile and slim body depth body design this is the most comfortable Super Jumbo weve ever built, without any sacrifice in tone.
![gibson j 200 studio vs standard gibson j 200 studio vs standard](https://s3.manualzz.com/store/data/052379238_1-cb81fefba900dd9367f06fda7a1d2f01.png)
Early models made from rosewood are highly prized by collectors. Hand-built using beautiful Sitka spruce and walnut, this SJ-200 Studio is sure to please the eye and the ear. Due to the weak post-depression economy and wartime austerity, demand for this high-end guitar was very limited and production quantities were small. Gibson changed the name to the J-200 in 1955. In 1947 the materials used for the guitar changed to maple back and sides. The SJ-200 was named for its super-large 16 7/8" flat top body, with a double-braced red spruce top, rosewood back and sides, and sunburst finish. The extra money for the standard also gets you abalone in the bridge but again makes the overall look fussy versus classy in my opinon.
![gibson j 200 studio vs standard gibson j 200 studio vs standard](https://images.gibson.com/Files/36345ae3-45e9-44b0-a2b7-230b3830b133.jpg)
It was made at the Gibson Factory in Kalamazoo, Michigan. Gibson entered into production of this model in 1937 as its top-of-the-line flat top guitar, initially called the Super Jumbo, changing the name in 1939 to the Super Jumbo 200.